18 November 2011
Social Media & Communities Archives - Page 5 of 14 - AmbITion
14 November 2011
Gain insight & learn the best audience engagement practices through these 13 best visual representations
8 September 2011
Posted in: Accessibility, Advanced, AmbITion Scotland (2009-2011), Crowdsourcing, Digital Audio & Video, Digital Strategy, Education & Outreach, Intellectual Property & Contracts, Project Management, Social Media & Communities, Streaming, web/simulcasting, Theatre, Webinar
1 June 2011
Article: What to Post on Facebook Pages to Maximize Engagement – kindly shared and originally posted by Technology in the Arts. Author: Crystal Wallis
Posted in: Social Media & Communities
1 May 2011
Articles: QR Codes: What are they and how do you make one? [mini-nar] - kindly shared and originally posted by Technology in the Arts. Author: Amelia Northrup.
8 April 2011
Four great videos from Digital 2011 – connecting Scotland’s digital and creative industries conference, Glasgow, Wednesday 30th March 2011. The theme of Digital 2011 was Monetising Content:
Federation of Scottish Theatre’s Emporium: keynote by Hannah Rudman & Catherine Paskell, National Theatre Wales
8 April 2011
At Federation of Scottish Theatre’s Emporium, Hannah Rudman gave an overview of digital developments in the theatre sector, and Catherine Paskell of National Theatre Wales gave a case study about their use of digital in artistic practice as well as operations.
25 February 2011
AmbITion Scotland webcasters Envirodigital are consultant producers for Five Minute Theatre. #fiveminutetheatre on Twitter! NATIONAL THEATRE OF SCOTLAND MARKS ITS 5TH BIRTHDAY WITH A VIRTUAL 24 HOUR THEATRE PROJECT Today, 25th February, 2011, the National Theatre of Scotland marks its fifth birthday by opening public submissions for a nationwide virtual theatre project as well as announcing [...]
21 December 2010
Digital access to the arts and culture is extending, rather than replacing, the live experience of the arts, and the Internet is now playing a much broader role in arts engagement than simply acting as a marketing channel. A significant minority use it not only to consume and share artistic content, but also to create [...]
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