Reports

Creative Carbon podcast

Avatar of Ashley Smith Hammond By Ashley Smith Hammond
11 January 2013

AmbITion Scotland were pleased to be featured in the December 2012 Insights and Ideas Cafe event on the theme of Creative Carbon.  Listen below!   Want to learn more about the examples that Hannah mentions in her talk?  Read our follow-up blog post Examples of Ecologically Sustainable Projects Powered by Digital. Insights & Ideas is [...]

Social Media Gets Crafty – Report Digest

Avatar of Ashley Smith Hammond By Ashley Smith Hammond
10 January 2013

Source – Culture professionals network: Culture professionals blog | guardian.co.uk Social platforms and social selling have crucial roles to play in craft’s evolution through the digital age, finds Karen Yair  Craft is becoming increasingly visible in the social media sphere. Makers, retailers, galleries and craft organisations are all embracing online platforms such as Facebook, Twitter and Pinterest as key [...]

Digital Giving in the Arts

Avatar of Hannah Rudman By Hannah Rudman
20 December 2012

Says Matthew Bowcock, author of DCMS’s new Culture Ministry report Digital Giving in the Arts: “It may seem obvious to state that voluntary giving does not happen in isolation; it is an outcome from a process of audience engagement which may occur over a long period. In a similar manner, digital technology alone does not [...]

The Make:IT:Happen fund panel

Avatar of Ashley Smith Hammond By Ashley Smith Hammond
13 November 2012

As we look forward to the next round of funding deadlines, we’d like to tell the AmbITion Scotland community a bit more about the decision making panel; how the panellists were selected and how our decision making process works.

Digital Archives and Data – Listen to the Arts Council England podcast

Avatar of Hannah Rudman By Hannah Rudman
4 October 2012

John Wilson discusses how arts organisations are opening up their archives, collections and data with studio guests Bill Thompson, Head of Partnership Development, BBC Archives and AmbITion Champion; Drew Hemment, Founder and CEO of Future Everything; and Dr Paul Gerhardt, Director of Archives for Creativity. Including what arts organisations need to consider when digitising their [...]

Digital Action Research Project Concludes – Watch the Case Studies!

Avatar of Hannah Rudman By Hannah Rudman
28 September 2012

The Federation Scottish Theatre‘s Digital Action Research Project came to a conclusion this week, with a showcase of the case studies emerging from the digital experiments undertaken by the five Scottish performing arts companies involved. Funded by The National Lottery via Creative Scotland, the FST’s project has been running for 14 months, facilitated by Hannah [...]

Internships advice and ideas

Avatar of Ashley Smith Hammond By Ashley Smith Hammond
24 September 2012

If your organisation is thinking of hosting an intern AmbITion Scotland can help.

Festivalslab – a final show case of great innovation projects

Avatar of Hannah Rudman By Hannah Rudman
31 July 2012

This summer marks two years since the inception of the festivalslab project. To celebrate, The Festivals Lab team have compiled a showreel document of the projects, which highlights what worked and what didn’t. The content and knowledge sharing partnership that AmbITion Scotland has held with Festivalslab has enabled the learnings of the festivals to be [...]

Scotland’s Digital Infrastructure: The Government’s Action Plan for 2020 (update 07.06.12)

Avatar of Hannah Rudman By Hannah Rudman
19 May 2012

The headline bandwidth figures are 40-80Mbs for 80-95% of Scotland’s premises by 2020, with the best connections physically possible pledged for rural areas. (Update 07.06.12) I’ve just heard first person Infrastructure Minister Alex Neil announce that £250m will be invested in the next 3 years in rural broadband – mainly in the highlands and islands. [...]

Research Report: digitised live performance

Avatar of Hannah Rudman By Hannah Rudman
18 April 2012

This research report gives an overview of the research available on digitised live performance, and was written for Federation of Scottish Theatres by Hannah Rudman.

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